Fashion
Wire Daily
Dooker: One to Watch
by Maya Singer
The tale of the tee-shirt line Dooker begins, refreshingly
enough, with a love story: Former TBWA\Chiat\Day wunderkind Doug Jaeger
broke up with his girlfriend, kicked her out of the apartment, and started
seeing a lot of Matthew Spangler. They just…connected.
“Well, it’s funny, because my girlfriend had actually
introduced the two of us,” Jaeger recalls, “but I guess
she suspected something right away, because she’d never leave
us alone together. Which meant, you know, we couldn’t really ‘bro-down.’” continues
the Dooker founder and designer. “So we’d end up talking
about work,” he concludes, a little wistfully, passing a smile
off to Spangler.
“Here’s where you have to visualize the two of us running
through a field of wildflowers,” Spangler inserts. “With
open arms.”
Indeed, in almost no time, Spangler had moved into Jaeger’s
apartment. And together, they’re living happycorp ever after.
It even says “happycorp” right on the buzzer. Which makes
sense, in fact, since Jaeger has converted that old apartment of
his into happycorp central: Dooker, a “division” of happycorp,
has its studio and showroom there; meanwhile, a creative services
client types merrily at the conference table in what used to be a
kitchen. Jaeger’s photographs hang all around the space. There’s
talk of film production and a temp agency for musician-types who
moonlight as illustrators. An indie fashion showroom. The connective
tissue between all the happycorp projects is that everything Jaeger
and Spangler work on must, on some level, “help improve the
amount of happiness in the world.”
Take the Dooker shirts, for example. Though at first glance the
political and cultural content of Jaeger’s designs – a
bomber dropping TV sets, montages of corporate logos, revolvers,
pills and smokestacks trussed up in stars and stripes – might
not seem, well, cheerful, Jaeger is quick to note that cheerful isn’t
really the point.
“When we talk about happiness, what we mean is – what’s
going to make the world a better place? How can people be healthier,
more fulfilled, more at peace?” He holds up a beige-toned tee
shirt from the original men’s collection, showing the names
of Texan cities superimposed on a map of Iraq. “The tee shirts
are meant to provoke conversation,” he explains, “and
maybe that conversation starts something happening. And little by
little…”
If this sounds like the usual grass-roots boilerplate about knocking
on doors and one vote making all the difference, well, Jaeger has
reason to be optimistic. At Chiat\Day he was something of a prodigy
when it came to design, illustration and interactive initiatives;
his job was cushy and his accounts included marquee names such as
Absolut. Nevertheless, he cut and ran last November and launched
with a friend (Spangler came on board later.) Not even a year later,
Dooker’s tees for men are flying off the shelves at trend-setting
men’s stores in eight U.S. markets. And back at happycorp,
new plots are being hatched. A women’s collection – entirely
hand-stencilled and hand-spray-painted by Jaeger himself, at the
moment – is ready to go. There’s the experimental-stage “Mullet” – a
traditional broadcloth button-down in the front, screened with a
Dooker design on the back; Spangler, adhering to company policy,
puts one on before leaving for an appointment.
“Basically, nothing’s final until we’ve gotten
at least eight unsolicited compliments while walking around New York
in a new design,” he explains. “We’re getting up
there on this one.”
Naturally, Jaeger and Spangler also put the creative service talents
they’ve sold to clients such as Flavorpill to use on Dooker.
The latest innovation in the men’s collection is to partner
with unsigned and emerging New York City bands, and make a shirt
somehow based on the lyrics to one of the band’s songs. A shirt
called “Gossip,” for example, was inspired by a song
of the same name by a Brooklyn hip-hop group called Trilateral, and
a CD single and lyric sheet are enclosed in the hang tag.
“We see it as a different approach to ‘merch,’” Jaeger
explains. “We scout the bands ourselves, pretty much, and ideally
they already have some kind of loyal following in the city. So we
get promoted to those fans, while people who are out shopping at,
say, Motley in Boston, and who just happen to like the shirt, get
exposed to this great new band. Again: The point is, everyone’s
happy.
There’s something flummoxing about hanging out in the happycorp
think tank. Jaeger and Spangler seem to possess the Midas touch of
cool: The Dooker tees are cool, the new handouts for flavorpill are
cool, even the ‘hey, kids, let’s start a corporation!’ ethos
of the place is, in its way, cool. But no one involved exudes any
of the hauteur we’ve come to expect from the hip. Jaeger and
Spangler have an unembarrassed passion when it comes to their ideas
and their ideals. There’s even something sweetly dorkish about
the bustling enthusiasm of the place, which extends to the premise
of the happycorp itself. Make the world happier? That’s fruitcake
talk. And for crying out loud, the logo is a pink and white happy
face! And for some reason, when a pile of logo stickers is handed
to you, you want to stick them all over your body! And start laughing
really, really hard. If this is the new cool, the world is ready.
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